Yesterday I was reading Eric Kim’s article on ‘Spot the Not’ about the difficulties of capturing multiple subjects and still getting clear what (or who) your main subject is. According to his article ““spotting the not” is the idea that one subject in the frame isn’t doing the same thing as the others, (…).”
Then this picture came to my mind. The occasion was a public holiday and a brass band had been playing on the main square of Dordrecht. The band had finished their program and was marching away. Everyone was watching their departure, except this mother and daughter.
“The sash (faixa) is the most important part of their outfit, since it supports the lower back and is used by other castellers in the team as a foothold or handhold when climbing up the tower.
This tasselled piece of cloth varies in length and width and depends on the casteller’s position inside the tower and also on choice. The length of the sash ranges from 1.5 to 12 m and usually is shorter for those higher up in the castell.
Performing castellers usually go barefoot as to minimise injuries upon each other as they climb to their positions and also for sensitivity when balancing and to have better feel and hold each other. ” (Wikipedia)
For me the ‘castells‘ (human towers) symbolize an essential characteristic of Catalonia and its people: everyone working together to build and create and enjoy it. Music being part of it.
Recently I witnessed a festival of ‘colles’ from Banyoles and nearby villages and cities that was held on a square two minutes from my home. My idea was to capture all the stages of the building of a castell. This resulted to be rather complicated, because of the huge amount of people involved. Taking an esthetically interesting picture was even harder.
In the end I have selected a number of photos that are rather documentary that can give you an idea of what constructing a human tower implies, phase after phase. This first one of a nearly finished castle is the starting point of this series.